The first time I tasted kinilaw in my grandmother’s kitchen, the fish was still stiff from the morning catch. She moved fast—her hands knew the pour of the vinegar, the slivers of ginger, the exact second to add coconut milk so it bloomed without curdling. The dish was never written down. It lived in the thud of her knife on the wooden board, in the tune she hummed, in the stories about her own grandmother who made it the same way on a different island, with different fish, but the same hands.
That kinilaw wasn’t a trend. It was Tuesday. It was what you made when the boats came in and the calamansi hung heavy on the tree. A conversation between a cook and her place, a language the whole village spoke without thinking. Nobody called it “Filipino ceviche.” Nobody needed to compare it to anything. It just was.
But then the world found kinilaw. Food writers landed, cameras snapping. Chefs in faraway cities started plating it on slate, dotting it with microgreens, calling it a revelation. Back home, the younger generation began to see it differently—not as Tuesday, but as something special, something that belonged on a restaurant menu with a price tag. The dish started its slow migration from the kitchen table to the world stage, and as it traveled, something slipped away.

The Quiet Disappearance of Everyday Food
This isn’t a story about culinary theft. It’s not about who owns a recipe or who gets to cook it. It’s about something quieter and more personal: the way a dish, once it becomes a trend, stops belonging to the people who made it. It turns into a commodity, a performance, a photograph. And in that shift, the daily, unglamorous act of cooking it at home begins to fade.
I’ve watched this happen in my own country. Dishes that used to anchor family meals—adobo, sinigang, laing—are now ordered through delivery apps or saved for special occasions. The knowledge of how to make them, the gut feel for when the pork is tender or the broth is sour enough, isn’t passed down as a matter of course anymore. It’s taught in cooking classes, if at all. The dish has become famous, but the home cook has become unsure.
This pattern repeats everywhere. In Oaxaca, the complex moles that once took days of communal work are often bought as jarred pastes, the grinding stones gathering dust. In Naples, the art of pizza fritta—fried dough that was a poor family’s way of using up scraps—is being replaced by gourmet versions that cost more than a day’s wages. The trend celebrates the food, but it lifts it out of its context, and the context is where the meaning lives.
When the World Embraces a Dish, the Village Loses It
There’s a particular loneliness in watching your grandmother’s food become fashionable. On one hand, pride. The flavors you grew up with are finally recognized, appreciated, no longer dismissed as strange or smelly or too simple. But on the other hand, a growing distance. The dish isn’t yours in the same way anymore. It now belongs to the critics, the influencers, the tourists. Your grandmother’s version is suddenly “inauthentic” because she uses bouillon cubes or because her kinilaw doesn’t look like the one in the magazine.
I remember a conversation with a friend from Yogyakarta. She told me how gudeg—the slow-cooked jackfruit stew that perfumes entire neighborhoods—had become a must-try for visitors. Restaurants specializing in it multiplied. But in her family, her mother stopped making it. “It’s easier to buy,” her mother said. “And the bought one is better, more consistent.” My friend missed the inconsistency, the way her mother’s gudeg was sometimes too sweet, sometimes too dry, always a reflection of the day it was made. The trend had improved the dish technically but erased its personality.
This is what we lose when a food trend leaves its origin behind: not the recipe, but the relationship. The recipe can be Googled. The relationship cannot. It’s built over years of watching, helping, failing, and trying again. It’s built in the specific air of a specific kitchen, with the sounds of a specific street outside the window. When the dish becomes a trend, it’s extracted from that ecosystem. It becomes a set of instructions, not a way of life.

The Hands That Held the Knowledge
My grandmother never called herself a chef. She would have laughed at the word. She was a woman who cooked because people needed to eat, and because feeding them was how she loved. Her knowledge wasn’t theoretical. It was stored in her palms, which could tell the temperature of oil by the way the heat rose against her skin. It was in her nose, which knew the exact moment the garlic had browned enough. It was in her ears, which listened for the subtle change in the bubbling of a stew that meant it was time to lower the fire.
This kind of knowledge is fragile. It can’t be preserved in a cookbook, though many have tried. It needs a learner standing beside the cook, day after day, absorbing not just the steps but the philosophy. The philosophy that says: use what you have, waste nothing, feed everyone. The philosophy that understands food as a gift, not a product. When a dish becomes a trend, the philosophy is often the first thing to go. What remains is the surface—the ingredients, the technique—but not the soul.
I think of the women in my grandmother’s generation as libraries that are burning down. Each time one of them passes away, a whole collection of unwritten recipes, of techniques and stories and ways of being, disappears with her. The trend doesn’t save them. The trend, in fact, often accelerates the loss by convincing the next generation that the real value is in the restaurant version, the elevated version, the version that can be monetized. The home version, the real version, is left to wither.
The New Guardians of Old Flavors
But this isn’t a eulogy. There are people fighting to keep these foodways alive, not by freezing them in time but by honoring their essence. I’ve met young cooks in Mexico who are learning from their abuelas not just how to make mole but how to think about mole—how to see it as a living tradition that changes with the seasons, the occasion, the mood of the cook. They aren’t trying to replicate a single “authentic” recipe. They’re trying to inherit a way of being in the kitchen.
In the mountains of northern Thailand, I once sat with a woman who was teaching her granddaughter to make nam prik, the chili paste that is the heartbeat of a Thai meal. The granddaughter was taking notes on her phone. But she was also tasting, adjusting, asking questions. “Why do we pound instead of blend?” she asked. Her grandmother answered by handing her the pestle. “Because the stone remembers the hands that held it,” she said. “The blender forgets.” The girl pounded, and the paste was different—not better or worse, but different, marked by her own strength and rhythm. The tradition wasn’t being preserved in amber. It was being passed on, alive and changing.
This is the kind of transmission that matters. It’s not about rejecting the outside world or refusing to let a dish evolve. It’s about making sure that the people who created the dish remain the authorities on it, that their knowledge is valued and compensated, that their children see cooking as a source of pride rather than a chore to be outsourced. It’s about recognizing that a recipe is not just a list of ingredients but a document of a particular time and place and set of relationships.

What We Lose When Food Becomes Content
There’s a particular sadness in seeing a dish you grew up with become a “food trend.” Suddenly, it’s everywhere—on social media, in glossy magazines, on the menus of restaurants that would never have touched it a decade ago. And yet, in its place of origin, it’s disappearing. The young people have moved to the cities. The old people are tired. The ingredients are being replaced by cheaper, imported alternatives. The dish is being celebrated globally while it dies locally.
This isn’t a contradiction. It’s a direct consequence of how food trends work. A trend needs novelty, and novelty requires that the dish be decontextualized, stripped of its history and its messiness, made palatable to a global audience. The original context—the poverty, the resourcefulness, the specific climate and soil and water that shaped the dish—is edited out. What remains is a beautiful, hollow shell. And back home, the people see their food being celebrated elsewhere and feel a complicated mix of pride and shame. Pride that their culture is being recognized. Shame that their own version is not good enough, not “authentic” enough, not trendy enough.
I’ve felt this shame myself. I’ve hesitated to cook my grandmother’s dishes for friends from other countries because I knew they wouldn’t look like the restaurant versions. My adobo is too oily, too brown, too simple. It doesn’t photograph well. It’s not “elevated.” But it’s real. It’s what my grandmother made, and her grandmother before her. And every time I make it, I’m keeping something alive that no restaurant can replicate: the memory of her hands, the sound of her voice, the particular way she would taste the sauce and nod, satisfied, because it tasted like home.
Eating With Memory
So what do we do? We cook. We cook the dishes that our grandmothers taught us, even if they’re not fashionable. We teach them to our children, not as a history lesson but as a living practice. We eat with memory. We understand that every time we make kinilaw or gudeg or mole or nam prik, we’re not just following a recipe. We’re continuing a conversation that has been going on for generations, a conversation about how to live in a particular place, with particular ingredients, in a particular community.
And when we see our food become a trend, we don’t reject it. But we don’t let the trend define it, either. We hold onto the knowledge that the real dish is not the one on the magazine cover. It’s the one made on a Tuesday, in a kitchen that smells like home, by hands that learned from other hands, in a lineage that stretches back further than anyone can remember. That dish cannot be trended. It can only be lived.
Frequently Asked Questions
Why do traditional foods disappear when they become trendy?
When a dish becomes a global trend, the focus shifts from home cooking to commercial production. Younger generations may see the dish as something to order rather than something to learn. The original context—the specific ingredients, the communal preparation, the cultural meaning—gets lost in translation. The dish survives, but the living tradition around it can fade.
How can we preserve traditional food knowledge?
Preservation happens through practice, not just documentation. Cooking with elders, learning the intuition behind the recipes, and understanding the cultural and environmental context of the dish are all essential. It also means valuing home cooking as much as restaurant cooking, and recognizing that the most authentic version of a dish is often the one made in a home kitchen, not a professional one.
Is it wrong for chefs to adapt traditional dishes?
Adaptation itself is not the problem—food has always evolved through contact and exchange. The issue arises when adaptations are presented as “improvements” or when the original cooks are erased from the story. Respectful adaptation acknowledges the source, compensates the communities, and understands that the dish carries meaning beyond its flavor.
What can I do to support traditional food cultures?
Seek out and learn from home cooks, not just celebrity chefs. When you travel, eat at family-run establishments and ask about the stories behind the dishes. At home, cook the traditional foods of your own heritage and share them with others. Support organizations that work to preserve culinary traditions and protect the livelihoods of traditional food producers.









